"Push 2"

PUSH2.JPG   © 2001     784   x  600
©2001 All rights reserved.  You may download this image for viewing on your computer.  You may NOT use it for any other purpose. This image is currently unavailable as a print. This image is available to send as an Electronic Postcard.  Click here to go to the postcard shop.

The Idea:

     Figure study of opposing forces.

Tools:

     Poser 4, Photoshop 4

Dion skin by Daio
Camera and Lighting by mental projection from Wizzard

Figures:

      Michael x2.  On the left is the Dion skin over a lavender base, on the right is the Michael texture-light version (by me) over a white base.  Hair is Male Afro and Male Hair Pony Tail.  The abstract unobtrusive background is my 'product shot' ground plane.
     The hands were particularly difficult to pose in this one.  The fingers interlaced okay, but I was applying and saving hand poses... when I re-applied them the fingers weren't in the correct positions!  That was not fun.  Also, right hand meets left hand... and if you're in one figure's left hand camera and grab the other figure's hand... suddenly you're at THEIR left hand!  Argh!  (Maybe Posing Camera would work better.  I should try that.)
     This is also the first image where I messed with the facial expressions.

     Two spotlights of white and slightly pinkish, from the upper front corners, and a reddish infinite fill light from the front, not casting shadows.  The spotlights use 3072-sized shadow maps, but I couldn't render shadows and textures in the same picture.  Yes, computer needs memory, badly!  Wizzard was on ICQ while I was working on this, saying 'hmmmmmm....' when I said I needed to decide on camera and lighting.  Like he could help out with it! LOL! :)  Thanks, Wizz!

     One render, with shadows, no textures.  One render with textures, but no shadows and no ground.  Various compositing over the texture and pasted shadows: Overlay ~40%, Soft Light, and a strange Saturation-combo in I-dunno-what-mode at 30%.
     New layer to smude and fix the really BIG gap in the groin, and the crunch at the hip.  Brushing out of hair, and painting in some highlights/shadows for the afro.
     One thing I have noticed is that if you close and open a pz3 in Poser between doing two identical renders, the images do NOT line up quite exactly.  The compositing left a trace of light lines in spots around the figures.  Loaded the mask and smudged those out.  Also smoothed the shadows a bit; they didn't need it so much this time.  The spotlights still cause awful banding on the ground plane, though.

copyright:  ©2001 All rights reserved.  You may download this image for viewing on your computer.  You may NOT print it, upload it anywhere, use it for a commercial or non-commercial illustration or companion piece, place it (or a link to it) on your web page, without requesting and obtaining PRIOR permission from the artist.  For contact details, click here.

price list:  This image is not currently available as a print.  However, if you are interested in obtaining a print, please let me know.   For contact details, click here.